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Just add words. Get access to 2 million song lyrics for graphic display. To use this, you need rekordbox dj. Do you have rekordbox dj? I already have rekordbox dj. To shift the range displayed, use the two arrow buttons on the left and right of defined lengths. By clicking one of the Auto Loop Defined Lengths, a loop start point will be created from the nearest beat to the playhead within reason , and set a loop end point in based on the defined length selected.

The loop is snapped to the beats in the song detected by Serato DJ so even if you press the button slightly out of time Serato DJ will still create a perfect loop for you. Clicking on the same Auto Loop length again while the loop is active will deactivate the loop. Selecting another Auto Loop length while loop is active will extend the end point of the current loop to the appropriate new Auto Loop length. You can also save an Auto Loop to the next available free loop slot. When using an Auto Loop, a save button is visible where the lock loop button normally is. Clear Loop Deletes the current loop from loop slot and deactivates the loop.

Slot Reloop Jump to the start point and activate the loop. Loop Roll Loop roll performs a standard Auto Loop, but when the loop is turned off the playback position is returned to the position where it would be if it had not entered the loop much like censor. Use short loop lengths to create stutter type effects. The other difference between loop roll and standard Auto Loop is the roll button is momentary ie.

The loop is engaged when the button is pressed down, and disengaged when the button is released. To activate loop roll use the keyboard shortcuts. Beatgrids Tracks without Beatgrids need to be Analyzed before a Beatgrid is created. The Set Beatgrid option will need to have been selected in the Offline Player. NOTE Analyzing tracks may take some time. It is recommended you do this prior to a gig.

A tracks Beatgrid is made up of several parts: All Bar Markers have a number next to them, which references the bar number, starting at 1 the Downbeat Marker. Each bar is then divided into 4 beats, with 3 small white markers to indicate beat divisions within each bar. Downbeat Marker The Downbeat Marker is a red line and is placed on the first transient of the track this could be a kick drum, or first bass note at the beginning of the track.

The Downbeat Marker will have a 1 above it to indicate it is Bar 1. If the BPM is accurate, then the Beatgrid will be set perfectly and you will not need an further adjustment.


If the Beatgrid markers dont fall on the tracks beats, then you will need to Edit the Beatgrid. Bar Markers Once the Downbeat Marker is created, the Beatgrid will then be created using the BPM value of the track to lay out a series of Bar Markers throughout the track on each bar start. Each Bar Marker has a Bar number displayed next to the line, these indicate the start of the tracks bar number i. Beat Markers Between each Bar Marker is a series of small Beat Markers, showing the individual beats in each of the tracks bar.

NOTE: For some music such as house music, this may fall on each kick drum. For other music, such as hip hop or funk, these Beat Markers may not fall on top of a physical drum hit. This allows the Beatgrid to follow the tracks change in tempo. Tracks with Beat Warp Markers are able to be perfectly Synced to tracks with no tempo changes without the beats dropping out of time. You can set as many Beat Warp Markers as you need. A track may change tempo multiple times, or the tempo may fluctuate if the track is from a live recording or ripped from vinyl. NOTE: Changes in tempo over time are common with live recorded music such as rock, funk, reggae, etc.

Editing Beatgrids If the Beatgrid markers arent falling on top of the tracks beats, you will need to edit the Beatgrid. If you click on Edit Grid, the Beatgrid Editor will appear and a blue bar will appear above the waveform of the track. The Beatgrid Editor contains all the tools you will need to create a Beatgrid, or correct an incorrect Beatgrid. TIP: To check if the Beatgrid has been calculated correctly you can skip forwards into the track to see if the markers fall on the beats or not after a breakdown is a good place.

It is also a good idea to go to the tracks outro section and see if the markers are still falling on the beats. The Downbeat Marker will snap to the closest transient. If the Beatgrid Bar Markers start falling off the beats over time, then you will need to adjust the Beatgrid.

Slip Incorrect Beatgrid If your Beatgrid matches the tracks tempo, but the tracks Downbeat Beat Marker is incorrect or the groove or feel is sounding slightly out, you may need to slip the Beatgrid.

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This will mode slip the entire Beatgrid along as it is. If the entire Beatgrid is out i. TIP: When in Horizontal Display Mode use the left and right arrow key commands, when in vertical display mode, use the up and down arrow keys. TIP: After deleting all Grid Markers you may want to drag the file back onto the Analyze Files button to re-analyze the file and create a new Beatgrid, or press X to manually set the Downbeat Marker, creating a new Beatgrid. You do not need Beatgrids in order to use Simple Sync. If you have dropped your next track in but its not quite in time, by pressing sync you can perform an automatic beat sync.

Beat sync works by snapping the two closest transients together and matching the BPM. When using a controller, one press of the OFF button will fully disengage Sync. This is shown by a blue outline around the SYNC button. A second press of the OFF button will cause the pitch to revert to the tracks absolute pitch as reflected on your hardware pitch slider controls. When you engage Sync on a deck, that deck becomes the Slave Deck while the deck it has been synced to becomes the Master Deck. The Sync button should appear blue and there will be no beat position indicator with Simple Sync.

Load a song, press Sync so the BPMs are the same and then drop the track in yourself. Snap to Beatgrid Snap to Beatgrid will make Beatgrids visible on your tracks waveform, and when first pressing sync it will sync the track using the tracks Beatgrid information rather than the transients. When a deck is in sync, altering the pitch will affect the pitch of all synced decks.

This is known as relative pitch. However, when using vinyl or CDJs in Relative mode with Simple Sync activated, adjusting the pitch on your hardware will only affect the deck you adjust. Disengaging sync on a deck causes the pitch to return to its absolute pitch level as represented on the hardware slider. Smart Sync Using Beatgrids Smart Sync gives you more control and requires your tracks have accurate beatgrids.

Once you have accurate Beatgrids you can now use them to easily sync tracks together. This indicator will change color depending on the Sync state.

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  6. Pressing Sync for the first deck will engage Sync mode for that deck. This decks tempo will become the Sync tempo for any further tracks entering Sync mode. Now press Sync on the track you are introducing to match it to the first track. This will snap the Beatgrids, tempo and the bar position of this track to any other tracks in Sync mode. Beat Sync will maintain this snap even if the tracks Beatgrid changes i.

    Press Sync again to re-sync the track if it has gone out of time. Pressing the play button using your Serato DJ hardware or on the virtual deck will start playback and automatically Beat Sync the track to other tracks currently in Sync mode. Tempo Sync is when the deck tempo will match decks in Sync mode, but the tracks position in the Bar will not be locked as with Beat Sync.

    Adjusting the platter or playhead while a track has Sync engaged will disable Beat Sync and put you into Tempo Sync. This allows you to keep tracks at the same tempo but drop the track when desired without it snapping to the beat. Adjusting the platter will create an offset, this offset will be maintained, even if the tracks Beatgrid changes ie. This will allow the track to warp around tempo changes without losing Tempo Sync.

    You can adjust the position of tracks in the bar, manipulate the platter, scratch or juggle the track while still keeping the tracks tempo matching. If you drop a track out by exactly 2 beats behind a track on another deck in sync, then the yellow Sync state will continue to stay at the same tempo as the other synced track. This will be shown by the SYNC button having a blue outline. The second press will disengage Relative Pitch and the hardware pitch slider will assume control.

    When a deck is in Sync, altering the pitch of any one deck will affect the pitch of all other synced decks. Disengaging Sync on a deck keeps the pitch in relative pitch mode. Relative pitch will react to slider position movements up or down, but not reflect the absolute position on the hardware slider itself. To reset the pitch slider to absolute pitch you can either Load the track again once Sync has been disabled. Once a Beatgrid has been created you can then press Sync to engage Beat Sync.

    If a track has previously been analyzed, but has no Beatgrid, then Serato DJ will not create a new Beatgrid for that track. This will only be available when supported Serato DJ hardware is connected. Click the On button below the effect select box to turn the effects on or off.

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    Click and drag the knobs or buttons to adjust effect parameters. These parameters affect sound differently, depending on what effect you have selected. For most effects the FX Depth knob will usually operate in the same way; Having the knob all the way to the left will apply no effect full dry and having the knob all the way to the right is the maximum amount you can apply the effect full wet.

    However, for some effects that have the word Combo it its name, full dry will be at the 12 oclock position and full wet will be both left and right, e. There will be a default group of effects that are available to you in the Effect Select drop down menu, however you can customize the selection available by using Favorite FX Lists. The Effect Beats Multiplier is used to adjust the effect time. The effect time is set using the tracks BPM value, but by applying the Beats Multiplier you can increase or decrease the effect timing.

    BPM information can be added to most tracks using the Track Analyzer. Manual Tempo mode allows you to tap in the tempo yourself. After youve tapped the first beat, you can switch to double time tapping, half time, start of each bar etc. The range is set by the first two taps, after that you can switch to any steady rhythm you feel comfortable with quarter notes, half note, whole notes etc. Select either Channel 1, Channel 2 or Master to assign the selected effect bank 2 deck hardware or Channel 1,2,3,4 or Master Channel 4 deck hardware. Some hardware also has the option of assigning FX to an auxiliary channel A.

    When you assign a bank to Master any other channel assignments are removed, and selecting any channel while Master is selected will remove the Master channel assignment. You can turn off any channel assignment by clicking it again. You can assign both FX banks to one channel by selecting the same channel each bank. Any audio file in your Serato DJ library can be loaded to any one of the six slots, allowing playback of short samples, audio loops, sound effects, or full length tracks.

    Loading Music to the SP-6 To load a track to the SP-6, drag and drop the desired file from your library into one of the sample slots. To eject a track, click the eject button to the right of the title display. Select and drag six tracks from your library onto the first sample player slot to simultaneously load six tracks across all six slots. Use the eject button on each sample slot to eject each sample. To use your mouse, simply drag and drop a file to one of the sample slots and click on the play symbol. Some features may only be visible in Advanced Mode. To the right of the Play button, is the sample play mode selection, which you can click to cycle through different modes.

    Trigger Mode Audio plays through until the end of the track. Pressing repetitively will trigger the audio from the beginning of the track. To stop the audio, hold the alt key while either clicking the play button or pressing the corresponding shortcut key e. Hold Mode Audio plays only while you press and hold the sample play button or corresponding shortcut key. Upon release of the play button, the audio stops immediately. Pressing play again stops the audio and returns to the start. Sample Player Repeat Sample Player Repeat When the playhead reaches the end of the track it returns and c continues from the start of the track.

    Short audio loop samples can be turned into a continuous track using repeat. Ensure there is a clean cut at the start and end of the samples bar. Sample player repeat can also play any stored loop if the file contains any. Select the stored Loop slot from the Play From Selector. TIP: To adjust loop information for a track, load it to a virtual deck, make your adjustments, then load it back into the sample player. For Loops to Beat Sync correctly they will need to have an accurate Beatgrid.

    For a Loop to Sync correctly it will need to be a divisible length of 1 bar i. Sample Slot Volume Each individual sample slot has a separate volume control. This controls the volume of the sample, but does not save to the file. To permanently adjust the sample gain, see the advanced only SP-6 options. SP-6 Track Information When a track has been loaded to a sample slot, if available, the track title and BPM information will be displayed.

    An overview of the track loaded to each sample slot is displayed also. The waveform, playhead position, Cue Points and any armed loops will all be visible. SP-6 Sync When Sync is on and play is pressed, the audio will Sync with all other tracks on decks or sample slots that currently have Sync activated. Click the off button to deactivate Sync. When Sync is activated for the sample slot, the other play modes are not able to be selected because Sync overrides the other mode behavior. The Beat Position Indicator will be displayed as a solid yellow bar. Use the pitch slider to make BPM adjustments.

    To make fine adjustments, hold shift and drag the slider. Pitch adjustment will be displayed as a percentage. Enabling Keylock means the song will keep its key when the tempo of the song is changed. Use the Play From selector to choose where the track will play from. You can choose to play a track from the start of the file, any one of the Cue Points, or any one of the loop in points. When this is set to play from start, or play from a Cue Point, the track will play from this position. If a loop is selected in the Play From Selector the track will play from this position.

    The loop will repeat if repeat is enabled for the slot.


    The number of options will be dependent on the number of Cue Points and Loops already set in your track. TIP: To set or adjust Cue Point and Loop information for a track, load it to a Virtual Deck, make your adjustments, then load it back into the sample slot. This gain value is stored with the file, not the sample slot. This allows you to fine tune the volume level of the loaded sample relative to other sample files, the same as the Track Gain control on the main virtual decks. The gain adjustment will also be written to the track tags, meaning that it will be the same every time you load it to the sample slot or to a virtual deck.

    Click the mute button to silence the audio output, click the mute button again to turn the audio back on. The Mute button next to the main Volume control lets you mute the entire SP-6 output, to silence all sample player slots as one group. Use the Output selector buttons to choose where you wish to have the SP-6 output audio to.

    Store up to 6 samples in each bank and jump between them for quick access to your favorite samples. Slot and sample settings will also be saved. To switch between the different banks click on the A, B, C or D buttons. Sample Bank A will load as the default. This means the position, track gain, and speed and Sync will match when you drag a track to from one location into another. This allows you to beat match tracks on the Virtual Decks, and then instant double the track down to a slot, freeing up the Virtual Decks to continue your mix with other tracks.

    Click and drag an already playing track from a Virtual Deck or sample slot and drop it on another sample slot to begin instant doubling. You will need to ensure you have Instant Doubles enabled in the Setup Screen.

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    Recording Serato DJ can capture recordings of your mix output. This is located in the top left hand area of the main screen. NOTE: You can select the file format and bit depth for your recording in the playback tab of the setup screen. Recording Panel Record input select - Click on the drop-down to select the recording input. For recording the master audio output signal select MIX. This records post faders and EQ, pre master gain. Refer to the recording Level Meter to the right to monitor your recording level. Refrain from going into the red, as this may cause audio degradation Recording level meter - Shows the current recording level, as set by the record gain knob.

    Refrain from going into the red, which could result in clipped or distorted recordings.

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    For optimum recording levels, attempt to have the meter in the high end of the yellow region Record - Click the REC button to start and stop recording. Click again to re-record without saving. To save the recording to disk, type a filename into the text field, and click SAVE. Rec Location Recordings are saved in the following hard drive locations on your computer. You can change the recording location by clicking Rec Location and selecting the location you want to save to.

    The Status Bar at the bottom of the screen will show you how much space is free in your selected location. If your recording exceeds this limit, it will continue to record your mix to a new file. Many devices can connect to a computer using MIDI over USB, and will either be supported directly by your operating system, or require installation of drivers and configuration utility software. Follow the manufacturers instructions for installation.

    Other controllers may solely use a MIDI out connector to send control messages, and will require a separate MIDI interface unit to communicate to software. Once your controller is installed and functioning correctly, use the directions for assigning controls below. Hovering the mouse pointer over a control will bring up the MIDI assignment box, showing the current assignment status.

    The MIDI assignment box should update to show it has mapped the controls to one- another. If you need to change a control using the mouse, disable MIDI assign mode. That is where these MIDI data types come in. Absolute data mode gives a direct reflection in the software of the physical position of the knob or fader on the MIDI controller. If the fader is at 2 on the MIDI controller, then it will also be at 2 in the software. The Relative modes are variants of each other, and depending on the MIDI controller you are using will determine which mode you should use.

    When assigning a MIDI control, try each of the Relative modes until you have found the mode which works best for you. MIDI devices with platters on them all send different data so user mapping is not possible. When you press the pad, pitch goes to 0. The preset screen allows you to save and recall several different MIDI setups. History The History panel is useful for three main reasons: Viewing or editing what you played during a previous set Exporting your set to the Serato Playlist website or to other formats Enabling live playlists.

    This is a complete log of all the tracks you have played in sessions and allows you to export your Serato DJ session information as a data file. Each session is cataloged by date and time. Using the drop down arrow, you can navigate to and view detailed information of any previous sessions. There are columns for the period i. In addition, these other categories listed below will give you more detailed information about your sessions.

    Start Time When viewing a track row, the start time of the track is displayed. When viewing a session row, the start time of the session is displayed with the date in real time value. End Time When viewing a track row, the end time of the track is displayed. When viewing a session row, the end time of the session is displayed with the date in real time value. Playtime When viewing a track row, the total played time of the track is displayed e. When viewing a session row, the total elapsed time of the session is displayed with date e.

    Deck The virtual deck the track was played on will be displayed under the deck column. In the track row, either left or right is displayed. The offline player will be listed as offline. Notes Use this field to list particular information about your tracks and each session i. Double click the inserted track fields and edit your information accordingly. Note that when exporting an Export session information as a data file. Exported files can be located in the History Export folder contained in your Serato folder.

    Select a session, then choose your preferred file format, and click export. Text to create a simple text file with your session information contained within. Note that an. Inserted tracks within sessions will not be included in an. This will automatically name the crate with the session date. Listing Behavior Serato DJ considers a track played if you have cross faded to the track and brought the line level fader up.

    If you dont do both these actions, the track will continue to stay unplayed or white. If you have played the song and then ejected it, it will become a played song, go grey and be listed in the history. You can choose to show tracks which you have auditioned, but not actually played, by checking the show unplayed tracks box. The session will then also list these tracks in grey, along with actual played tracks.

    Alternatively, you can mark or unmark tracks as played manually. This may be useful if you play a track off regular vinyl or CD - breaking the A-B algorithm. Tracks that you have played are marked as grey in your library. Click on the button marked clear to reset the list of recently played tracks and turn the color of your library back to white.

    Serato Playlists The Serato Playlists allows you to upload your history sessions to your serato. You can upload your playlist once your session is complete, or by using the Live Playlists feature to update your playlists online in real time! Open the History panel and you will now have access to the Serato Playlists options.

    Uploading Serato Playlists Once you have finished your session, or to upload a previous history session, select the desired session in the History panel. Click the Format drop down box, select Serato Playlists and click the Export button. You will receive the following warning:. If you choose Yes you will then be taken to serato. Once posted, you have the option to edit the playlist and track information. If you export your playlist online whilst playing you may experience USB dropouts.

    If so, you may wish to avoid using this function. Live Playlists Serato Playlists has the Live Playlists option to allow you to display what you are playing online in real time on your serato. Once enabled, the Start Live Playlist button is now displayed in the History panel. Click this to start and stop your Live Playlist session. Setup Screen The setup screen allows you to customize elements of Serato DJ to how you want them to work.

    If you do not have shift down or caps lock on pressing a key will take you to the track whose first letter matches that key if columns sorted alphabetically. Lock Playing Deck Use this option to prevent accidental track loads or changes. If the Lock playing deck option is selected, you can only change the song on a Virtual Deck that is paused.

    Track End Warning Tick this option to flash the progress bar around the outside of the virtual deck when you are 20 seconds from the end of the track. This does not apply to tracks less than one minute long. Use Auto Gain As part of the overview building process, Serato DJ automatically calculates an auto gain value for each track. This value represents the gain adjustment required to match the perceived loudness of the track to a reference level. If the Use Auto Gain option is checked, each time a track containing auto gain data is loaded to a deck, the track gain knob will be set to a value that matches the level of audio in the track to the reference value selected from the drop down list to the right.

    The drop down list allows you to select from 89dB quieter to 98dB louder , however 92dB default setting is the recommend value. On Song Load Play from start Positions the playhead at the start of each track when loaded. If this setting is not enabled, freshly loaded tracks will continue to play from the point the last track was at.

    This option is on by default. This option is overridden by instant doubles and play from first Cue Point options.

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    NOTE: When play from start is selected on the setup screen, the deck will try to skip any silence at the start of the track, and play from the start of the audio. Instant Doubles Instant Doubles allows you to quickly match the playhead position of the same file on both decks. When enabled, load a track to one virtual deck or sample slot that is already loaded on the other virtual deck it must be the same file , the playhead will jump to the position of the track playing. This also copies the Keylock state, Sync state and Looping settings.

    If you are using 4 deck hardware, using the keyboard shortcuts to load the same file, will instant double the file loaded to corresponding active deck. Play from first Cue Point Enable this option to start all tracks from the first Cue Point when loaded. NOTE: This setting overrides the play from start option. If the track has no Cue Points set it will play from the start. Simple Sync Click this to enable Simple Sync.

    Simple Sync does a simple transient sync to the opposite track on the deck. You do not see Beatgrids in order to use Simple Sync. Snap to Beatgrid Snap to Beatgrid will make Beatgrids visible on your tracks waveform when using Simple Sync, and when first pressing sync it will sync the track using the tracks Beatgrid information rather than the transients.

    Smart Sync Click this to enable Smart Sync. Smart Sync gives you more control and requires your tracks have accurate beatgrids. Maintain Sync on Track Load When this is checked, Sync will remain engaged when a new track is loaded to the deck. Quantize Preferences Select the number of beats allowed between either setting or triggering Cue Points and loops using Reloop. For example, if you have 1 Beat selected, you will be able to set or trigger a Cue Point on each beat of your Beatgrid. You can of course choose to leave more beats between, but you will not be able to set or trigger Cue Points less than one beat apart.

    Disable this option if you wish to use the computers arrow keys to adjust loops, and keep audio playback controlled by the vinyl. Drop to Absolute Postion This detects a deliberate repositioning of the needle, and moves the playhead to the absolute position of the needle, as if it were in absolute mode. Accidental skipping of the needle does not reposition the playhead. Drop to Cue Point This option triggers the corresponding cue point when the needle is repositioned into one of the first 5 one-minute sections on the control vinyl.

    For instance: needle dropping into the second minute on the left turntable, will send playback for deck 1 to cuepoint 2, if that cuepoint is set. You can collapse your iTunes playlists by clicking on the icon. Any files moved to All, an existing crate, or a new crate will now remain in Serato DJ even when read iTunes library option is unchecked. Once a file has been permanently added to Serato DJ , the iTunes logo will disappear.

    We recommend un-checking this option after you have added your music into the Serato DJ library. Any changes made in Serato DJ to the file information of tracks in your iTunes library will not appear in iTunes until after you play the track in iTunes. To get more information, visit www.

    Protect Library Enable to lock your library and prevent accidental track or crate deletion. Enabling this setting will also lock all file tags and crate names, so that no text can be changed. Custom Crate Columns Enable this option to allow you to customize column views for each crate and playlist. When the option is disabled, all crates will share the same column configuration.

    If a column size is modified within one crate, it will affect all crates. Center on Selected Song With this option on, scrolling up and down in your library keeps the selected track in the middle of the library panel. Include Subcrate Tracks Displays the tracks from any subcrates in their parent crate.

    With this disabled, browsing in a parent crate will not show tracks that are in any subcrates of that parent crate. This means that once you play a track, it will appear your selected color in the library as an indicator that you have already played the track.

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    Library Text Size Adjust this slider to increase and decrease the font size for the main library and crates area. Users with slower computers or those running a recording program at the same time might like to do this if they are having performance issues. The default setting is 60 Hz, or refreshed 60 times per second.

    This setting applies to the entire Serato DJ user interface; the Virtual Decks, the Waveforms, the library, and the setup screen. Data is completely anonymous and will not affect performance. You can opt out by de-selecting this checkbox. This is because those options are adjusted using your Serato DJ hardware instead.

    Click the Master Cue button to override this setting and hear only the Master Output through the Cue. Cue Volume Depending on your Serato DJ hardware, this setting may not be available and instead adjusted from the hardware. Increase the setting on this knob to give the gain of the headphones an extra boost up to 12dB. To prevent hearing damage, be careful not to set this level too high. NOTE: Adding cue volume can reduce audio quality so is only recommended if you are encountering problems with your headphone level.

    Hardware dependent. Upfader Adjusts the upfader curve. Turn the dial to the left for a slow gradual fade or to the right for a fast, tighter cut. Crossfader Adjusts the crossfader curve. This adjustment will affect both types of curve, Linear and Power: Linear When Linear is selected and the crossfader curve is set to slow, the two tracks blend smoothly as the crossfader moves across.

    Both tracks are at half volume when the crossfader is in the middle, so for two distinct tracks there will be a dip in volume. When the crossfader curve is set to fast, both channels are at full volume for nearly the whole crossfader range, and are cut off sharply when the crossfader reaches each side. The Linear curve with a fast setting is most useful for scratching or turntablism. Power When Power is select and the crossfader curve is set to slow, there will be an obvious dip in volume around the middle of the crossfader, where the audio from the track already playing fades smoothly out before audio from the incoming track fades in.

    When the crossfader curve is set to fast, although the two tracks still blend smoothly as the crossfader moves across its range, the incoming track will be heard in the mix almost straight away as you move the crossfader toward the side its channel is assigned to. Reverse Reverses the direction of the crossfader control. If channels assigned to the left side are in Group A, and the right side is Group B, then moving the crossfader from left to right fades from Group B to Group A. Disable Disables the crossfader, which can be useful if you only use the channel upfaders and wish to avoid making any mistakes by nudging the crossfader.

    Simply select an effect from the Available Effects list on the left, then click so that the effect will now appear in your Favorite Effects list. You can also an effect from the Favorite Effects list, if you decide you no longer wish to have it. The order in which you add the effects to the Favorite Effects list, is the same order the effects will appear in your drop down menu.

    Once you have selected all your Favorite Effects, ensure that you have enabled. When you return to your DJ-FX, only the effects you selected will be available in the drop down menu. When certain Rane hardware is connected, you will have the option to assign decks to the PGM channels 1 and 2. This allows you to select which hardware channels you are using for your left and right primary decks.

    You can switch the configuration to swap channels 1 and 2 to be channels 2 and 3 if you have connected to a 4 channel mixer and want to use the middle channels. Record Channel The Record Channel options will only be available for hardware that requires it. To record, designate a channel you wish to use. You will not be able to use this channel to DJ. When smaller chunks are used, the movement of the platter is translated into audio more often, which results in a lower overall system latency.

    However, this requires more processing power and therefore a higher CPU load, so lower buffer size settings require a more powerful computer to produce uninterrupted audio. Lowering the latency will result in tighter hardware-software response, but will increase the load on your computer and may result in audio dropouts on lower spec computers. The SP-6 is enabled by default.

    Control Cue Points, Loops and Samples. Load tracks and manipulate FX in ways that werent previously possible. See Seratos famous Virtual Decks and Track Overviews so you can focus on the crowd and free yourself from your laptop. It can be purchased and activated through the Online window. Therefore, Serato DJ needs to be able to handle a wide range of signals, and be configurable to use them optimally. Calibrating is just configuring the software to your situation. Listening to the control vinyl, the directional tone is the 1 kHz tone.

    The noise map sounds like random noise over the top of the tone. The directional tone provides the current speed and direction of the record, while the noise map tells the software precisely where on the record the needle is currently. Here you can adjust the noise threshold. A threshold is a lower limit, below which a process will not occur.

    In the case of Serato DJ, the noise threshold is the limit below which the input signal will not be interpreted as control signal; in other words if its below the threshold, it is considered noise and ignored. This setting is necessary because a stylus is very sensitive, and will inevitably pick up noise from the environment as well as the signal on the record, especially in the noisy environment of a live show.

    How To Calibrate Serato DJ With music playing in the background through your system or booth output, put your needle on the record with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused or stopped while calibrating. Click and hold the estimate button until the slider stops moving. Moving the Noise Sensitivity slider to the left will make Serato DJ more sensitive to slow record movement, but also more sensitive to background noise. Repeat the process for each deck Things to remember: Your needle must be on the record.

    Your turntable or CD player must be stationary. The background music playing must be at a similar level to which you will play your set at. You should calibrate Serato DJ every time you play. Check all your connections and make sure your equipment is well earthed. In some situations you will not be able to improve the signal quality, and you will have to play on regardless. In this situation, stick to rel mode. The scopes on the setup screen in Serato DJ display the input signal as a phase diagram.

    The key factors to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the lower right corner. Start both turntables or CD players. You will see green rings appear in the scope view, as shown above. For optimal performance the inner ring should be as close to circular as possible. Use the scope zoom slider to zoom in or out as necessary. The number in the top left corner of the scope view gives the current absolute position within the control record or CD.

    The number in the top right corner is the current speed in RPM. Calibration Troubleshooting After calibration, the number in the upper right corner of the scope view should say 0. If that number is fluctuating then manually move the estimate slider to the right until that number is stable at 0. If youve moved the slider all the way to and its still fluctuating then you have a grounding or interference problem somewhere in the chain.

    If so, the first thing to check is that the grounding wire coming from your turntable is connected to your mixers grounding posts. Next, make sure that the hardware isnt sitting next to a power source such as a power strip or power box and that the RCA cables connected to the hardware arent laying across other power conducting cables.

    If you are still experiencing issues, you might have to adjust the placement of your setup. For example, make sure bass bins arent directly under the turntables. Whitelabel Whitelabel Audio Files Whitelabel audio files are a unique file format file extension. They are specially prepared for use in Serato DJ - with files pre-analyzed, tagged with song and artist info, BPM and album art where possible.

    Whitelabel audio files play as high quality kbps stereo audio in Serato DJ when your hardware is connected. Without an Serato DJ hardware connected, or when playing these files through other mp3 software and devices, they will play as low quality 32kbps mono audio. Whitelabel audio files are promotional releases from records labels available to Serato DJs for free from Whitelabel.

    To download Whitelabel audio files and to sign up to receive updates on the latest promotional releases, visit Whitelabel. Locked Whitelabel Audio Files Due to some labels licensing requirements, certain Whitelabel audio files will require email and password verification to unlock them.

    If you have legitimately downloaded these tracks yourself, entering the email and password you use for Whitelabel. If you are still having problems unlocking these files, please contact Serato Support: serato. Mobile browsers are not supported at this time. At this time we advise you not to use Mixed In Key with Whitelabel audio files. Troubleshooting If you are experiencing any issues with Serato DJ, try some of the following suggestions. If you require further assistance visit www. You can also access serato. Warning Lights Serato DJ displays warning lights in the top right hand corner of the main screen, which can indicate a possible issue.

    Limiter Warning Serato DJ utilizes an internal Limiter, which ensures you dont go past a certain volume level. If you have increased the level of a track and exceed the limiters threshold you will find that the audio is compressed lowered or squashed. To fix this, simply lower the track gain, EQs, or master volume on your hardware so the track isnt clipping going into the red on the hardwares channel level lights.

    If you need more volume you can then increase the volume of the amplifier or DJ mixer that it is running into. Audio Dropout Warning A small light will show when the chance of an audio dropout has increased. To reduce the chance of a audio dropout happening, please try the following: Increase the USB audio buffer size in the setup screen Try closing other applications running at the same time as Serato DJ. Try turning off background tasks, for example, wireless networking and bluetooth Try some of the computer optimization tips at serato.

    Try disconnecting any other USB devices you may have connected. Try using a different USB cable. Audio Dropouts or Distortion The following suggestions may help you if you are experiencing poor performance with Serato DJ: Check for updates using the check for updates button in the setup screen or by visiting: www. Disable wireless networking devices. Disable Bluetooth devices. Disable antivirus software. Disable screen savers. Disable sleep mode.

    Increase the USB buffer size and apply the changes. Try all USB ports, some work better than others. Disconnect other USB devices. Run your laptop connected to a power supply. For more troubleshooting help visit www. Ensure that you analyzed all your files. If you are using an external drive, try using your internal drive. Try some of the above optimization tips for Audio Dropouts.

    Ensure that you have read and write capabilities for the folder that contains the files. Try re-encoding the file, or converting the file to a different format using a converting tool e. Hardware Disconnected Ensure you have the hardware drivers installed from the hardware manufacturers website or installation CD. Corrupt File Diagnoses If you find a file displaying the corrupt icon, you can hover your mouse mover the corrupt icon for information on what type of corruption was found.

    The information will displayed in the Status Bar at the very bottom of the library. Corrupt file: This MP3 contains invalid frames. This MP3 contains frames which do not conform strictly to the official MP3 specification. Corrupt file: This file contains corrupt frames that may result in audible glitches. This file contains two or more contiguous corrupt frames. Since corrupt frames are replaced with silence, this could result in what might sound like an audio glitch.

    Corrupt file: This file has been split. You should check the beginning for audio glitches. The first MPEG audio frame in this file refers to audio that should be present before it but is not. This is usually the result of incorrect MP3 editing. Since a corrupt frame is replaced with silence. All the same, listen to the beginning of the song, just to be sure. Corrupt file: This MP3 contains frames with corrupt data. Decoding of an MPEG audio frame failed. This means that the frame contained invalid data.

    As usual with corrupt frames, this frame will be played as silence. Corrupt file: This MP3 lost synchronization between the frame index and the frames Serato DJ is reading an old overview of an MP3 that has been edited in a third party editing program. Re-building the overviews for the affected files usually corrects this error. Corrupt file: This MP3 is completely invalid and is not playable. Self explanatory. Possible causes are disk bad sectors, file system corruption, wrong file types, wrong file extensions, etc. Corrupt file: This file contains invalid audio data.

    Serato DJ encountered invalid data while looking for audio in this file. This message alerts you to the fact that the file youre trying to play contains corrupt data. This may, or may not, affect playback. Corrupt file: This MP3 contains no valid frames. No audio could be found in this file, which means it is completely unplayable as far as Serato DJ is concerned. Please make sure this really is an audio file. Unsupported file: This MP3 contains multiple layers. Serato DJ does not support MP3s containing frames from multiple layers some frames may output as silence.

    Unsupported file: This file is more than 2 GB in size. Unsupported file: This file has data blocks greater than 2 GB in size. This file contains chunks of data that are larger than 2 GB. Serato DJ does not support files that are more than 2 GB in size. Corrupt file: This WAV contains no valid chunks. It is quite possible that this might not be a WAV file.

    Unsupported file: This files data is not in PCM format. WAV files can contain data in several formats. Unsupported file: This file has a sampling rate greater than 48 kHz. Serato DJ does not support sampling rates greater than 48 kHz. If you see this message, the simplest approach is to re-sample the audio at 48 kHz and re-save the file. Unsupported file: This file uses more than 24 bits per sample Serato DJ supports a maximum of 24 bits per sample of audio data.

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